"Degrees of Freedom" is the ninth studio album by Scottish based artist Marc Carlton. Released in 2015, "Degrees of Freedom" is the follow up to 2012s "For Imagination". That album I felt Marc was really pushing his own boundaries both in terms of length and complexity of the songs. While it is purely instrumental music Marc produces, it is difficult to pigeon whole Marc in a category or genre due to the range of instruments he uses on albums and the clear range of influences which can be found throughout his music.
I
think "Degrees of Freedom" is a great name for this album and I love
what Marc said on his website when describing the album - "this album is my attempt to have the best musical
adventure possible on rails. Free to explore rhythm, melody and instrumentation,
part of the approach was to break rules - particularly my own - and resist
simplification." For me, this really sums up the album so well. For
someone who had 8 albums out up to this point; many artists often go down the
route of replicating formulas which have worked for them and proved successful.
But Marc is not like that. He keeps pushing his own boundaries.
What
I notice about this album compared to some of his previous works is that to me
the tracks on the album feel more self-contained, rather than one longer piece
broken into sections. There are still longer tracks on here with a couple
sitting at around 11 minutes and one 10 minutes, but this is mixed in with
shorter tracks too. Carlton continues to bounce between guitars and synths
and often the tracks are multi-layered while others one instrument is more
prominent. I think this where solo artists and particularly Marc has an
advantage in terms of creativity over bands. In bands everyone wants a
role in each song which I think can often limit creative output. I am not
saying this is the case for all bands but for a lot. Whereas having a
multi-instrumentalist like Marc there can be different focuses from different
instruments on different tracks and there are no arguments with someone saying
"I don't appear on half the album because my instrument is not
involved"
I
do like this album a lot. The journeys Marc takes you on, on each of his
albums, is not only different each time but it is different to really what is
out there now. When you think of bands doing instrumental albums out there now,
there is the likes of Mogwai and Explosions in the sky. These bands,
while great bands, they always seem to go for the quite/loud approach and try
to create that wall of noise as I like to call it each time. It is like
hikers wanting to climb the highest peak in their country each time. But
the thing is you do not always need to climb that hill to find adventure and
beauty. It can be a walk round a lake or through a forest. And for
me that analogy reflects Marc’s music the best, especially with this album.
There are a lot of twists and turns along the way. In fact, when I listen to this,
I often turn to my CD player and think to myself - this is amazing.
Then I would listen further, and it would happen again. For example, the
fantastic piano playing during track 6 "Neutral karma due to admin
error" or the electric guitar parts in track 3 "Degrees of
freedom". The album is littered with magical moments.
But
there is one track on this album where I think Marc really has excelled himself
and that really is saying a lot as I rate his music extremely highly and that
is track 10 "Persmerga Finds Yurba". The rhythmic drumming
combined with the electric guitar to start off with is bliss. The type of
drumming Carlton is doing here is like nothing I have ever heard on an album by
him before, I'm not sure exactly what type of drum it is, maybe bongos of some
form. But you can see this is what he is talking about when he is giving
himself that freedom to experiment and this is an explementary example of
this. One in which he has pulled off with effortless ease. And that
is just the start of the track. This is a 11-minute rollercoaster which
after 5 minutes breakdown into a more electronic synth-based vibe, which then
moves on to a section which has a dramatic organ like effect before
returning to the milder synths to finish.
Overall,
this really is an excellent album. In so many ways Marc has pushed
himself and the results are there for your ears to hear. This is one
of my favourites by him because I think there is just so much to it, it is
always off going in different directions which keeps it interesting. He is
continually experimenting with new sounds and instruments while his talent for
using the instruments he has used previously still shines through.
Marc is not on social media and only has one album on Spotify
at time of writing but if you want to stream or buy his music go to https://www.madrigalproject.co.uk/. He does have a Bandcamp page also.
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