"For those that wish to exist" is the 9th studio album by metalcore veterans Architects. The band formed in 2004 but I only just came on to my radar when this album was released a few weeks ago. Several You tube music reviewers I follow reviewed this album and got me intrigued as it either got “this was an absolutely amazing album” or “this was really bad”. So, I had to find out for myself. On first few listens I thought it was ok. It wasn't until a few days later when one of my gig buddies recommended it that decided to give it a few more listens that it really started to grow on me.
One thing I noticed about the reviews I watched was that a band which seemed to come up a lot in terms of comparison was Bring me the Horizon. The negative reviews I saw did think that this album was a poor man’s Bring me the Horizon. Personally, I can see the comparisons as the vocals are quite similar. Also, both bands are known for their pretty aggressive music. But I think what Architects have produced here is slightly different. Most of the tracks do have a feel of that kind of aggressive metal mixed with more gentle vocals which is something they have only showed on "The Here and Now" album.
I have had a whistle-stop tour of their other albums and I can see how they perfectly fit into the metalcore scene as most of the vocals are very growly. To be honest I don't mind growly vocals on occasion, but I can't deal with it all the time. I think this is one of the things that made Slipknot so good was the fact that Corey Taylor balanced out the singing with the growling so well. And on this album the vocals while still being aggressive are toned down a bit to make it a lot more listenable than their previous efforts. There are instances of pure growling on the album and guest Winston McCall well and truly leads the charge with his vocals on "Impermanence".
Simon Neil from Biffy Clyro is another guest on the album and adds some vocals on "Goliath" which really do add the song without making it sound like a Biffy track. I think that's one of the differences between Bring me the Horizon collaborations and Architect’s collaborations. BMTH collaborations are a lot more balanced in terms of sharing vocals and sometimes let the guest dominate whereas Architects guests are more of a section of a song.
One band meeting I would not have liked to attend during the making of this album would have been which songs to release as singles. Because that job would have been so hard! I just think there are so many songs on here which reach the same level. A lot of them have that same sort of feel to them. That hard metal track with a mixture of screamy vocals and singable sections. Normally this would be a criticism from me when bands do this as I like variety in albums. But in this case, it’s like they found a formula that works and sounds good so why not make the most of it and create an album of great tracks.
There are some notable exceptions for example first track "Do you dream of Armageddon?", "Flight without feathers" and closer "Dying is absolutely safe". These are gentler tracks with strings. Something which is becoming more and more common in rock music these days. It seems like bands being more adventurous these days means to include strings. Personally, I am all for it.
Overall, I think this is the best album they have ever done. I have gone through various opinions on how good I think this album is. For starter it was ok, then I thought it was amazing, then I have been in moods where I just found it too aggressive, then back up to very good. In other words, I do think you need to be in the right mood for this album, but I think it’s really good when you are in the right mood. I think although you can see similarities to Bring me the Horizon. I personally think it’s unfair. They are their own band. Bring me the Horizon hop into so many genres and collaborations now it’s getting to the point where you can probably link them to most artists in their main genre of metal. But personally, I think Architects have made a complete album here that stands on its own two feet.