There seems to be so many indie bands nowadays that it is becoming increasingly more difficult for bands to break through. Air Traffic have managed to get over the first massive hurdle, by signing to EMI. Fractured Life shows exactly why they managed to stand out, through a well balanced album, delivering one good song after the other.
On first listen to the album, the first band which sprang to mind as an influence was Coldplay. However although some of the songs do have that sort of ring to them, with little more investigation it became apparent that the more punchy/upbeat songs, have a lot more sharpness about them, such as `Charlotte' and `Just Abuse Me'. This shows that they have a side which sets them apart from the likes of Coldplay. For instance you wouldn't hear Chris Martin singing `I'm wasted, face down on the floor...'. These songs really do have the `feel good' factor about them, making for good festival tunes. Reminds me a bit of `Guillemots', especially with the upbeat piano in some of the songs.
One song on the album that does have a Coldplay feel towards it is `No more running away', as it feels like they trying to achieve the same kind of impact on the listener as `Fix You'. Although not quite reaching the same standard; they're certainly not too far off, which is impressive considering this is only their first attempt, and `Fix you' was Colplay's third! The song itself starts off with 3 members taking up drum duty for the first half of the song, creating a great rhythmic back drop to Chris Wall's vocals and piano. In the second half of the song, the guitarist and bassist take up their `preferred' instruments, taking the song up a gear with Chris Wall's vocals in full flight.
Although I feel `No more running away' is nearly there in terms of greatness. `Shooting Star' definitely is there and would not look out of place on any `Best of Festivals this summer...' type albums. Unless of course the rest of the songs on the album were rubbish! This song has everything; catchy chorus, guitar solo (simple but effective) and a good mixture of slow build ups alongside crashing guitar bursts. Its one of those songs you can picture yourself being in a car; accelerating and decelerating in time with the music, like in the Snow Patrol video for `Open your eyes'. Nevertheless, this song is a lot more dramatic in terms of quiet and loud bits. Especially at the start of the song, as it goes along quite nicely around 30mph. Then around the 25 second mark where it accelerates ferociously up to 70mph in matter of seconds. Another example is the guitar solo, as it slowly builds up giving you a breathier after the chorus. At this point it feels like your back down, driving at 10mph until eventually you are driving at 70mph once more. 70mph is good analogy in terms of the song as whole as well, as you never feel like its going over the speed limit, i.e. - out of control, but it does reach what you feel is the acceptable limit. For me, this is by far and away the stand out track of the album.
The album finishes with the song `Fractured Life' , in which you can almost feel the pain and suffering talked about in the song through the emotion in Chris Wall's voice and through lyrics such as "Cos if it can't work out what's right and fair its time to escape". This combined with the slow piano adds to the emotion. It is very similar to Coldplay's `Amsterdam' on their `Rush of Blood to the Head' album, as it has got the same sort of structure to the song. In the same vain it is a cracking end to an album. Until, you turn round to your CD player realising its still running! Yes, it is one of those albums with a `hidden' track. For this one you only have to wait over ten minutes! Even with the fast forward button it's an irritating effort. However it is worth a skip to every now and then as it's a well crafted instrumental.
Overall though, this a fine debut and I think they have the right ingredients to make an even better album. In order to have any kind of longevity I think they need to be more adventurous with the structure and depth of the songs, which I'm sure will come in time as their abilities and band chemistry improves. Not only to distinguish it from this album, but also from bands like Coldplay. I know I have mentioned that band a lot as a comparison, and to be honest if you don't like Coldplay I very much doubt that you will like this album, especially the softer songs. However, Air Traffic do have a great vocalist and with a mixture of the softer piano-laden songs with the punchy more upbeat songs, they can set themselves apart from the rest. Definitely a band to look out for in the future!
Monday, 30 August 2010
Thursday, 26 August 2010
Amy MacDonald - This is the Life
This is the debut album from much talked about Amy MacDonald. Currently the female music scene is full of `The Streets' equivalents such as Kate Nash/Lilly Allan, and then there's Rihanna who seems to be on the radio 24/7. So when this 19 year old from Bishopbriggs came onto the scene with her catchy folkish acoustic pop songs; it felt like a breath of fresh air.
The album title `This is the Life' is appropriately named as it reflects the theme of the album as a whole. The songs give you the impression, she never had any doubt about what she wanted to do with her life and that she has always had the drive and ambition to achieve it. You can almost picture her when she was younger sitting in her bedroom with her acoustic guitar dreaming of making a career out of music. Unlike many who continue to dream, she did something about it and penned her thoughts about her dreams and ambition in to her songs. In fact the tune, `Lets start a band', is like seeing Amy's thought process in how she decided to make music. The song starts off with trumpets, singing about dreaming of being in a successful band and appearing in Rolling stone magazine. Furthermore she would only enter a band with someone if they wanted the same things as her. The middle section of the song goes into a kind of opera style singing which acts as a good build up because it gathers the momentum of the song leading to its climax; chanting "Let's start a band", repeatedly, you can feel the excitement.
Another song which echoes the theme of dreams is the joyful `Barrowland Ballroom'. For those of you who don't know `The Barrowlands is a legendary venue in the East end of Glasgow. Its one of those venues many artists aspire to play and from this song, it shows Amy is no different as she sings; "I wish that I was on the stage". In this song, Amy captures the essence of `The Barrowlands' brilliantly, "The lights outside are as bright as the sun, their much brighter than everyone". To me the song also implies that Amy's influences are from the 70s and 80s rather than more modern music through the lyrics:
And I wish that I saw Bowie, playing on that stage,
I wish that I saw something, to make me come of age
However her `My Space' page shows that most of her influences are modern, with bands like Guillemots, Kings of Leon and Arcade fire, to name but a few.
As well as the feel good chirpy folk/pop songs; Amy gives an insight into the other side of her song writing through `Youth of today' and `Footballers wives'. These songs are lot more scaled down, as if Amy is making people hone in on the lyrics because the issues covered are ones she feels more strongly about. In `Footballers Wives', Amy vents her annoyance about footballers wives getting lots of press coverage just because they are married to a famous footballer, e.g. `she thinks she's some kind of star, yes you know who you are, I don't think so'. While in the `Youth of Today' she sings about the older generation not giving enough respect to the younger generation, e.g. `It's just your one sided opinions that keep getting in my way'. These songs show that MacDonald is not afraid to say what she thinks and turning them into songs which convey powerful messages.
Having not even mentioned the superb hit single `Mr Rock n Roll' and her great take on Dougie MacLean's `Caledonia', which reflects well on the strength of the album as a whole. From this effort, it is more than apparent she has an abundance of talent, and at just 19 years old; I get the feeling the best is yet to come...
The album title `This is the Life' is appropriately named as it reflects the theme of the album as a whole. The songs give you the impression, she never had any doubt about what she wanted to do with her life and that she has always had the drive and ambition to achieve it. You can almost picture her when she was younger sitting in her bedroom with her acoustic guitar dreaming of making a career out of music. Unlike many who continue to dream, she did something about it and penned her thoughts about her dreams and ambition in to her songs. In fact the tune, `Lets start a band', is like seeing Amy's thought process in how she decided to make music. The song starts off with trumpets, singing about dreaming of being in a successful band and appearing in Rolling stone magazine. Furthermore she would only enter a band with someone if they wanted the same things as her. The middle section of the song goes into a kind of opera style singing which acts as a good build up because it gathers the momentum of the song leading to its climax; chanting "Let's start a band", repeatedly, you can feel the excitement.
Another song which echoes the theme of dreams is the joyful `Barrowland Ballroom'. For those of you who don't know `The Barrowlands is a legendary venue in the East end of Glasgow. Its one of those venues many artists aspire to play and from this song, it shows Amy is no different as she sings; "I wish that I was on the stage". In this song, Amy captures the essence of `The Barrowlands' brilliantly, "The lights outside are as bright as the sun, their much brighter than everyone". To me the song also implies that Amy's influences are from the 70s and 80s rather than more modern music through the lyrics:
And I wish that I saw Bowie, playing on that stage,
I wish that I saw something, to make me come of age
However her `My Space' page shows that most of her influences are modern, with bands like Guillemots, Kings of Leon and Arcade fire, to name but a few.
As well as the feel good chirpy folk/pop songs; Amy gives an insight into the other side of her song writing through `Youth of today' and `Footballers wives'. These songs are lot more scaled down, as if Amy is making people hone in on the lyrics because the issues covered are ones she feels more strongly about. In `Footballers Wives', Amy vents her annoyance about footballers wives getting lots of press coverage just because they are married to a famous footballer, e.g. `she thinks she's some kind of star, yes you know who you are, I don't think so'. While in the `Youth of Today' she sings about the older generation not giving enough respect to the younger generation, e.g. `It's just your one sided opinions that keep getting in my way'. These songs show that MacDonald is not afraid to say what she thinks and turning them into songs which convey powerful messages.
Having not even mentioned the superb hit single `Mr Rock n Roll' and her great take on Dougie MacLean's `Caledonia', which reflects well on the strength of the album as a whole. From this effort, it is more than apparent she has an abundance of talent, and at just 19 years old; I get the feeling the best is yet to come...
Wednesday, 25 August 2010
Biffy Clyro - Puzzle
Many bands these days seem to get hyped up on there first album, only to get slaughtered by the press on their second and then forgotten about by their third effort. Biffy on the other hand, have gradually floated to the surface, building up a hardcore contingent of fans along the way. `Puzzle' looks set to propel the band into the mainstream. The band hold some heavy weight respect having provided support for Muse at Wembley Stadium and are due to perform the same role for the Chilli Peppers at Hampden Stadium in August. A concert which I really am looking forward to!
Anyway, Puzzle is the 4th album to come from Biffy's locker. I came across them due to my brother being obsessed with them from day one. I really liked Blackened Sky and went to see them a number of times. When `Question and Answers' and `Infinity Land' came along I didn't appreciate them at the time because I felt they were just trying to over-complicate things for the sake of it. Over the last year though, I have listened to these albums more and now find them refreshingly different from what was out at the time. This made me wait for Puzzle with great anticipation...
With Puzzle it is like they have completed the full circle from when they began, and then stepped it up a gear. To break this down; with their first album it was the accessible indie/rock songs such as `27', `57' with some signs of prog in `Convex concave', which showed hints of their potential early on. The second album saw them exploring their guitar sounds and song structures more. While the 3rd album expanded their array of experimentation even more, through vocal harmonies, etc. Puzzles' roots clearly are from their first album, as they just wanted to go back to basics and make an album for the fun of blasting out a mixture of all out rock with acoustic masterpieces. Although the intro to `Living is a problem because everyone dies', along with numerous other points in the album, shows that they have taken bits from the two previous albums to put the `we haven't forgotten the progress we've made on the last two albums' stamp on some of the songs.
This is one of those albums you'll either love or hate, leaving no middle ground. If you do love it, it will make every other record in your collection seem inferior for a month or 6. `Puzzle' can be split into 3 large pieces; Rock, acoustic and rock ballady indie epic type songs. The main rockers are the singles; `Semi-mental' and `Saturday Superhouse', both are all out, brilliant sing along tunes. The title `Semi-mental' does not do the song justice as it is `FULLY MENTAL!'. The acoustic songs end the album with `Machines' and `drop it'. Listening to the lyrics in `Machines' its one of those ones that everyone can relate to at some time in their life. ie - not appreciating what they have and how lucky they are etc. Drop it on the other hand has got a kind of slow country feel to it; would be interesting to see if they took that sort of direction in the future. The last category is the sweeping, epic, rock ballady songs such as songs ending with /15ths and my favourite song on the album `The conversation is....' The easy comparison can be made to the Foo Fighters, but the reality is these are great songs, which definitely can be distinguished as Biffy's own.
This really is a great album and its almost as if Biffy knew when they were writing it that this would be the one that made them big with lyrics like - `looks like we made it' from `A whole child ago' and `This is the one' from `Now I'm everyone'. Its almost as if they're trying to send subliminal messages to people, to brainwash them into loving the album..................well it worked for me anyway!
Anyway, Puzzle is the 4th album to come from Biffy's locker. I came across them due to my brother being obsessed with them from day one. I really liked Blackened Sky and went to see them a number of times. When `Question and Answers' and `Infinity Land' came along I didn't appreciate them at the time because I felt they were just trying to over-complicate things for the sake of it. Over the last year though, I have listened to these albums more and now find them refreshingly different from what was out at the time. This made me wait for Puzzle with great anticipation...
With Puzzle it is like they have completed the full circle from when they began, and then stepped it up a gear. To break this down; with their first album it was the accessible indie/rock songs such as `27', `57' with some signs of prog in `Convex concave', which showed hints of their potential early on. The second album saw them exploring their guitar sounds and song structures more. While the 3rd album expanded their array of experimentation even more, through vocal harmonies, etc. Puzzles' roots clearly are from their first album, as they just wanted to go back to basics and make an album for the fun of blasting out a mixture of all out rock with acoustic masterpieces. Although the intro to `Living is a problem because everyone dies', along with numerous other points in the album, shows that they have taken bits from the two previous albums to put the `we haven't forgotten the progress we've made on the last two albums' stamp on some of the songs.
This is one of those albums you'll either love or hate, leaving no middle ground. If you do love it, it will make every other record in your collection seem inferior for a month or 6. `Puzzle' can be split into 3 large pieces; Rock, acoustic and rock ballady indie epic type songs. The main rockers are the singles; `Semi-mental' and `Saturday Superhouse', both are all out, brilliant sing along tunes. The title `Semi-mental' does not do the song justice as it is `FULLY MENTAL!'. The acoustic songs end the album with `Machines' and `drop it'. Listening to the lyrics in `Machines' its one of those ones that everyone can relate to at some time in their life. ie - not appreciating what they have and how lucky they are etc. Drop it on the other hand has got a kind of slow country feel to it; would be interesting to see if they took that sort of direction in the future. The last category is the sweeping, epic, rock ballady songs such as songs ending with /15ths and my favourite song on the album `The conversation is....' The easy comparison can be made to the Foo Fighters, but the reality is these are great songs, which definitely can be distinguished as Biffy's own.
This really is a great album and its almost as if Biffy knew when they were writing it that this would be the one that made them big with lyrics like - `looks like we made it' from `A whole child ago' and `This is the one' from `Now I'm everyone'. Its almost as if they're trying to send subliminal messages to people, to brainwash them into loving the album..................well it worked for me anyway!
Tuesday, 24 August 2010
The Mars Volta - Frances the Mute
At first listen, it just sounds like a complete mess and is all over the place, though bit by bit it begins to make more sense..
On the 1st listen: Widow single (edit) makes sense
2-5 listens Cygnus apart from the last 2 mins makes sense
6-10 listens Miranda (now I realise the true genius of it)
11-15 listens L'Via L'viaquez (brilliant)
15-20 listens getting there with Cassandra Gemini but its still pretty tough.
The bits such as the last 3 minutes of the widow and 2 mins of Cygnus along with various other parts of the album can only really be described as 'awkward' listening. When the later minutes of Widow were playing my Mum actually thought the CD was jamming! To be fair it does sound that way. I do wonder what Omar and Cedric think of these parts, as they must have a reason why they are included. Obviously no one could understand their music more than them so they must see something in these parts which make them special enough to have included them on the album. In saying that, what I thought were 4 awkward minutes in the beginning of Miranda, I now realise that it really does act as a superb build up till the trumpets slowly come in. The uses of the trumpets are what makes Miranda such a cold and chilling track and adds to the atmosphere of the album as a whole.
Like any good album you really can't judge it until you've listened to it a lot. I really didn't like this album for starter especially as it is meant to be listened to in one sitting. At 76 minutes long, I think the sheer length of it played mind tricks on me and instead of properly listening to the music, I was thinking of how long it was. As you keep listening to it, time gradually becomes insignificant and when that stage is reached you can truly appreciate the album because it will start to make sense, so you're focusing less on the time and more on the music.
This album is to deloused as deloused is to relationship of command (At the Drive-in) because from relationship to de-loused, they really did take their music to another level and now they've managed one step further. Whether they make the next step with their next album remains to be seen, where that step is I don't think they even know! But one thing is for sure they have the talent to be timeless.
One thing I really like about this album is the concept that it is never ending, it can just loop forever because the end of the last track Cassandra, turns into the intro for Cygnus.
This album also shows how singer Cedric really has moved away from ATDI even further because there are virtually no 'shouty' bits at all. In fact Frances shows what an amazing singer he really is. He hits notes which most people could only dream of reaching, for example the "oh yeah" s during Cygnus or the "bring me to my knees towards the beginning of Cassandra. Overall his pure and unique vocals add a great deal to the album.
However the key to this album which holds it together is not Cedric's unique vocals, Omar's exquisite guitar playing or John's mental drumming but it's the infectious baselines which set the tone for the whole album. While Omar, Cedric, John along with the other contributors go off into their own little worlds in the album, the base line is the constant throughout each song and brings it all together. In particular Omar's guitar playing seems to dance round the baselines not knowing which way he's going to go next.
To explain what their album is like compared to other prog albums I'll put it in to context by using the analogy of running. First of all I'll explain how much music in general can be related to running. Anyone can run a mile, maybe at different times, but they can still run it. Just like pop music, its easy to understand. However longer runs require more training and you have to build up to it. This is like progressive music because you need to listen to it lots in order to understand it or to appreciate it to its full potential. To put this into context of this Mars Volta album is like a 3 hour long run. A 3 hour long run can take many shapes and forms. The MV album is like a mix of urban and rural landscapes. The urban bits are the straight forward road running bits, or the parts of the albums which are the easiest to understand. However they are still hilly sections in this part to keep it challenging. Then there is the rural parts which are the parts are the rough trails which take longer because it is more technical. This represent those 'awkward' moments of the album.
To sum up Frances the mute is a never ending journey through a musical landscape. A tough 3 hour long run may sound completely unthinkable to some people, but if you do the training its nothing short of brilliance just like Frances the Mute!
On the 1st listen: Widow single (edit) makes sense
2-5 listens Cygnus apart from the last 2 mins makes sense
6-10 listens Miranda (now I realise the true genius of it)
11-15 listens L'Via L'viaquez (brilliant)
15-20 listens getting there with Cassandra Gemini but its still pretty tough.
The bits such as the last 3 minutes of the widow and 2 mins of Cygnus along with various other parts of the album can only really be described as 'awkward' listening. When the later minutes of Widow were playing my Mum actually thought the CD was jamming! To be fair it does sound that way. I do wonder what Omar and Cedric think of these parts, as they must have a reason why they are included. Obviously no one could understand their music more than them so they must see something in these parts which make them special enough to have included them on the album. In saying that, what I thought were 4 awkward minutes in the beginning of Miranda, I now realise that it really does act as a superb build up till the trumpets slowly come in. The uses of the trumpets are what makes Miranda such a cold and chilling track and adds to the atmosphere of the album as a whole.
Like any good album you really can't judge it until you've listened to it a lot. I really didn't like this album for starter especially as it is meant to be listened to in one sitting. At 76 minutes long, I think the sheer length of it played mind tricks on me and instead of properly listening to the music, I was thinking of how long it was. As you keep listening to it, time gradually becomes insignificant and when that stage is reached you can truly appreciate the album because it will start to make sense, so you're focusing less on the time and more on the music.
This album is to deloused as deloused is to relationship of command (At the Drive-in) because from relationship to de-loused, they really did take their music to another level and now they've managed one step further. Whether they make the next step with their next album remains to be seen, where that step is I don't think they even know! But one thing is for sure they have the talent to be timeless.
One thing I really like about this album is the concept that it is never ending, it can just loop forever because the end of the last track Cassandra, turns into the intro for Cygnus.
This album also shows how singer Cedric really has moved away from ATDI even further because there are virtually no 'shouty' bits at all. In fact Frances shows what an amazing singer he really is. He hits notes which most people could only dream of reaching, for example the "oh yeah" s during Cygnus or the "bring me to my knees towards the beginning of Cassandra. Overall his pure and unique vocals add a great deal to the album.
However the key to this album which holds it together is not Cedric's unique vocals, Omar's exquisite guitar playing or John's mental drumming but it's the infectious baselines which set the tone for the whole album. While Omar, Cedric, John along with the other contributors go off into their own little worlds in the album, the base line is the constant throughout each song and brings it all together. In particular Omar's guitar playing seems to dance round the baselines not knowing which way he's going to go next.
To explain what their album is like compared to other prog albums I'll put it in to context by using the analogy of running. First of all I'll explain how much music in general can be related to running. Anyone can run a mile, maybe at different times, but they can still run it. Just like pop music, its easy to understand. However longer runs require more training and you have to build up to it. This is like progressive music because you need to listen to it lots in order to understand it or to appreciate it to its full potential. To put this into context of this Mars Volta album is like a 3 hour long run. A 3 hour long run can take many shapes and forms. The MV album is like a mix of urban and rural landscapes. The urban bits are the straight forward road running bits, or the parts of the albums which are the easiest to understand. However they are still hilly sections in this part to keep it challenging. Then there is the rural parts which are the parts are the rough trails which take longer because it is more technical. This represent those 'awkward' moments of the album.
To sum up Frances the mute is a never ending journey through a musical landscape. A tough 3 hour long run may sound completely unthinkable to some people, but if you do the training its nothing short of brilliance just like Frances the Mute!
Monday, 23 August 2010
Young Heart Attack - Mouthful of Love
For their first album YHA really have pulled out all the stops because this really is one hell of a rock'n'roll roller coaster of an album. YHA hail from Texas and when listening to their album you really do get the feel that effortless Texan swagger.
One of the things that makes YHA so unique is that they have both a male and female vocalist. Instead of one singing half the songs and the other the other half, they take turns within most of the songs. Almost as if they are competing all the way through the song to see who can make the best rock and roll screeches. The end result is barrages of ferocious all-out rock songs such as "Over and Over" and "Starlite" which are quite simply brilliant.
Although the singles such as Tommy shots and Mouthful of love give the impression YHA is just a full out rock as hard as you can band. They also make sure you know they can kick back and slow it right down through songs such as the superb Mary Jane. Hopefully YHA will be around for a long time to come as they are exactly the kick up the back side rock and roll so badly needs. They have certainly set the benchmark high for their next album to live up to, but with what seems to be such an effortless and cracking album I believe they will.
If you like The Datsuns, The Darkness or Jet's debut efforts you will love this.
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